It doesn’t matter whether you use Pro-Tools, Nuendo, Cubase, Sonar Producer, Logic Pro, Digital Performer, GarageBand, Live, or any of the other software that’s for sale out there. The thing that bothers me is that software companies are so good at brainwashing the public into believing that their software is crucial to the makings of a good record. And this person is a great musician, but he’s a little off in what makes up a great studio. Now, I know that not all musicians are engineers so I should let that slide. “You might want to have someone who’s recording onto protools. This guy was looking for a home studio, and he was asking around for where to go.Īn acquaintance of mine chimed in with his answer, with some details about studios and such but there was one comment that infuriated me: To illustrate, I’d like to tell you a story of an interesting email thread a while back. However, I’d like to add that it’s not the software that makes the music.
And that’s why the audio recording programs you use matter.
If you’re a serious musician, podcaster, or budding audio engineer, you care about the quality of your recordings–or you should. Download Your Free Guide: Top 10 Audio Recording Programs That Don’t Suck Right Here.
